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Thoughts on Trailers (Gameplay and Cinematics)

To build up hype over a game, what do you think is more effective? We get them in the form of advertisements, cinematic trailers, gameplay trailers, demos (== early access [paid demo]), and other various forms of promotion.

How can a game hurt you this much? #TroyBaker you sly dog you. Worming your way into our heart just to tear it out.
How can a game hurt you this much? #TroyBaker you sly dog you. Worming your way into our heart just to tear it out.

I prefer gameplay trailers because I’m generally more interested in how a game plays, but it should depend on the game itself. Gameplay videos don’t make the most sense when you’re promoting a game with a heavy story, in which case having a strong narrative and a teaser is extremely important. Games like The Last of Us, Uncharted, Bioshock Infinite, and World of Warcraft have both gameplay and cinematic trailers, but unless we’re new to the series a gameplay trailer is unneeded. We already know the basics of the gameplay so try to draw us in with a teaser for the story. Just don’t go ham-fisting the entire story into a one-minute spot like most movie trailers today. You still want some surprises to be had when the player actually goes to play the bloody thing.

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Where have all the Metroid’s Gone? (Nintendo Change-ware Neglect-ware)

Nintendo has a lot of series under their monolithic umbrella of games. Mario and Zelda games get trotted out in a near yearly cycle. Fire Emblem has had a lot of success in a once per generation fashion. Pikmin and Star Fox skipped a generation but are still able to perform to current generation expectations.

But what about the old franchises that were Nintendo staples? Metroid had a handful of games in the previous generation but has no titles coming out in the near future. Kirby has had titles every so often, but has had to re-invent itself over the past few games to seem fresh in idea.

Can...can I use my missiles yet? No? ok... Maybe later, then.
Can…can I use my missiles yet? No? ok… Maybe later, then.

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More Money for a Better Entertainment Ride? (Movies vs Gaming costs)

As anyone in the industry should be telling you, graphics doesn’t equal fun and some of the most costly things about a game are graphics. Large teams of artists, designers, story writer, motion capture crews and voice actors, all working together to make a large-scale game what it is. Not just the graphics. Graphics aren’t a substitute for fun, but it can help amplify it. We don’t necessarily go into every game looking to have fun the whole time, but to think, to experience a different world and to get lost in a well told story for a while. It’s our form of escapism that we choose to occupy our reality with. One that is interactive and one that isn’t necessarily possible in our own reality.

Large scale productions don’t necessarily give you fun, but they give you opportunity. Opportunity to develop a mature design, develop detailed backdrops and sceneries, get the best voice actors in the market to bring all the characters outside of their reality and accepted in ours.

I will preface this with not every big budget game does this well, and I prefer indie games because they have a better sense of identity with how the product should be. That being said, there are sources of entertainment to be had in both the big-budget market and the small-budget one.

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Game Idea: Hide Your Porn (Classic Edition)

Game Idea: Hide your porn (Classic edition)

The Premise:

Having your own personal space means that we tend to accumulate things that pique our interest. Games, Toys, Movies, everything gets littered around our space because we tend to use them. But what about the things that embarrass us? When guests come over, then we start scrambling for places to hide our little secrets in hopes that they won’t embarrass us to people we’d rather not have knowing.

But in the age of the computer and online pornography, we don’t have hard copies lying around unless we prefer living in the stone-age with a dvd/vhs remote in our offhand instead of a mouse. Because of this, let’s roll the clock back to, say, 1998. If you want a video of 2 fine ladies and a donkey, or men with frozen bananas, you need to have a hard copy of it. But of course, you don’t want any of these things being found.

This might even be more embarrassing. Nickelback vs Donkey Porn. tough choice.
This might even be more embarrassing. Nickelback vs Donkey Porn. tough choice.

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Steady Status Auto-Balancing of Games

Steady State Auto-Balancing

Idea

Looking at the scale of some of the online multiplayer games, it’s always fascinating to see how people always complain that only a small subset of things are usable in competitive play. In Halo or Counter-Strike, only a handful of weapons are considered good and the rest are never touched unless you’re in very constricted situations and the less-preferred weapon is the only option. League of Legends has over 100 champions to select from, but you only see about 30-40 played the majority of the time. Player-vs-player (PVP) in World of Warcraft tends to have the same team layout in their 2v2 and 3v3 arenas making the meta-game predictable after playing for so many iterations.

Developers do try and balance these problems, but re-balancing takes a long time to complete. When you make something (gun, character, class) weaker or stronger, it changes many other aspects of other classes. Which character’s are good to support them, who does the original character do well against, who does well against this character. Many aspects change because of small changes that the developers make to try and re-balance the game, making things that were perceptively weaker -> better and making things that seemed overpowering -> weaker.

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Gaming Experiences: Bonding over Single Player

Every one should check out Zac Gormon at http://magicalgametime.com/ His work hits so many feels buttons, it's not even fair
Every one should check out Zac Gormon at http://magicalgametime.com/ His work hits so many feels buttons, it’s not even fair

Sitting down in front of the couch, friends by your side. One of you pops in a game and everyone’s voice gets hoarse as the chatter escalates to yells and cheers because someone just got a clutch head-shot from across the map just as the countdown reaches 0. There are games design for multiplayer and those designed for single player. Goldeneye, Halo, Mario Party, Unreal Tournament, League of Legends. Many games and franchises build their fan base around single player experiences and multiplayer experiences, but that doesn’t mean that those socializing bonding moments can’t be found in single player games.

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New Controllers Brings New Interactions in Games

Yes, yes. Bad, we get it. Christ, that joke is older than the internet.
Yes, yes. Bad, we get it. Christ, that joke is older than the internet.

Remember when the Powerglove was supposed to be revolutionary? A kids imagination running wild with fantasies about moving Link or Mario around with just a flick of the wrist , an attack with a finger twitch, and a jump with a twist it. But this was still not as intuitive partly because the Powerglove was an elephant’s turd, but also because the games weren’t built for controls other than the native controller. This is also why the gimmicks of the Wii and all of its peripherals seemed like gimmicks, because they felt like after-thoughts to the game instead of being involved in the initial inspiration of the game.

Arcade games had a better potential with these kinds of non-directional pad controllers because they had a game in mind where non-d-pad interaction was part of the core design. Light-gun games where you shoot the screen, punching games where you hit a physical pad, dancing games where you mash buttons on the floor. Having the space for peripherals outside of the d-pad helped inspire completely different genres of games or, at the very least, re-interpret the genre in a different way to help spawn different types of games.

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Game Idea: Blindfolded (e.g. Blind Unfinished Swan)

Game Idea: Blindfolded (Blind Unfinished Swan)

Game:

What Unfinished Swan did was create a world devoid of color where it was the player’s job to put color back into the world to navigate through it.

The idea for Blindfolded is that instead of adding color to navigate through the world, the sound that you generate by moving through it paints the world in front of the player for a short time. Like the image perception that bats have with their echo location, Ben Affleck from that horrible Daredevil movie or Toph has in Avatar: The Last Airbender.

And with great sight comes things your can't un-see.
And with great sight comes things your can’t un-see.

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Forever a Fan: A game’s constant reprise to mind

A funny thing happens when I walk by an arcade. My neck cranes, scanning the room and if I gaze on a series of the flashing arrows scrolling up a screen my eyes lock onto the machine and my body tries to move towards the machine on instinct. The feeling intensifies if the machine happens to be part of the few generations that had the best track list, but regardless of the version there is always an urge and a rush of the good brain chemicals that get me feeling excited and anxious to hop on the machine and give it another round for old times sake. The machine, if you hadn’t guessed was a DDR machine. If you talked to 13-year-old me and told him that I’d be working at a place where there were several DDR machines in the area with easy access to, he’d be ecstatic because what 13-year-old me thought was that I’d be a fan of the series for life. Maybe that was immature thinking, but the more places that I pass where there’s a DDR machine there or the disappointment that I find when there isn’t when I’d thought there would be, the more I believe I had it right back then, though my reasoning was wrong for it.

You can call it nostalgia or not being able to let go of past experiences, but there are many groups among the community that live with their game of choice and have become “Forever Fans” of their game.

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